Photography Portfolio

Fifteen ways to point a camera, more or less. Weddings, elopements, brand work, wildlife, real estate, product: the throughline isn't the subject, it's the same eye trying to get the shot that actually looks like what was there, wherever that shot happens to be. Pick a category below, or scroll through the ones that catch your eye.

The fake difficulty is gear. Any current camera in steady hands makes a sharp, well-exposed file. The real difficulty is judgement under time pressure: which frame to take when three are happening at once, when to say the light is not there yet and wait, whether a photo is finished or only acceptable. Which is why the first question is never what to shoot. It is what the photo is for.