Story Driven. People Focused. Results That Last.
Six things people hire me for
Story-Driven Visuals
A pretty shot that says nothing is just a pretty shot. Before I roll, I know what the frame is for.
Perspective That Serves The Story
I shoot on a 24-70 and a 70-200, and fly when height tells it better. Where I stand is a decision, not a default.
Crafted With Intention
Edit, color and sound stay with me. The tone you feel at the end is the tone I set in the first cut.
Collaborative From Start To Finish
You hear from me directly, start to finish. No account manager, no handoff, no wondering where it is.
Results That Last
Delivered in every format you need, so one shoot keeps working long after the day it was shot.
A Crew When the Job Needs One
Some shoots are me alone. Others need a second camera, sound and lighting, and I bring people I have worked with before.
600+
85
6
Since 2017
A NETWORK THAT REACHES
A project that lands somewhere new still gets the same standard.
Productions have run across the United States and internationally, and the network behind them has been built market by market over years: photographers, filmmakers, drone pilots, editors and production professionals.
When a job goes somewhere new, nobody gets hired off the first page of a search. Either it is someone I have worked with before, or I source them properly: portfolio reviewed, gear checked, experience understood, and held to the same standard before they join a production.
One photographer in another city, or a full crew across the country. The creative direction and the quality do not change.
BUILT AROUND RELATIONSHIPS
Your project gets the crew it needs, not the crew that happens to be on staff.
Instead of a large in-house team, the work runs through a trusted network built up over years: photographers, filmmakers, editors, drone pilots, audio engineers and designers. Some jobs need one person in the room. Some need a full crew working in sync. The editing team works across time zones, which is what makes a wide range of formats, timelines and scales possible without the quality or the turnaround slipping.
What does not change is that one person is accountable for the result. Every project is personally directed, creatively led and quality-controlled by me, from the first conversation to the final file.
Two ways to build it.
Behind the camera myself. On the shoot day, in the room, making the calls. This is the scarcer and costlier option, because being in the room cannot happen in two places at once.
A vetted crew, directed by me. You still talk to one person. I brief the shooters, all of them from a network built up over years, locally and internationally, and the edit comes back through me before it reaches you.
Not sure which one fits? Put the budget in your first message and you will get a straight answer.
Here’s a look at some of the people behind the scenes. the visionaries I bring in to make sure every project gets exactly what it needs.
Dov Gurewicz
Director
Filmmaker and photographer, Thumbtack Top Pro in 2018, 2019 and 2021, creating cinematic stories that connect with audiences through creativity, precision, and authentic visual storytelling.
Ranked among ThreeBestRated’s top three videographers in Hollywood, and profiled by Voyage MIA Magazine in 2026.
Arie Forma
Chief Editor
Turns raw footage into finished stories: precise cuts, clean pacing, and an eye for the moment that makes a scene work.
Rehan C.
VFX artist
Handles the visual effects other editors hand off: clean composites, seamless fixes, and effects that don’t call attention to themselves.
Selected credits: IMDb film credits · Jewish Insights feature
