Story Driven. People Focused. Results That Last.

Over the years I’ve built a mini agency around the way I like to work: a trusted network of photographers, filmmakers, editors, drone pilots, audio engineers, and designers I can call on for any job.

Rather than keeping a large in-house staff, I deploy the right shooters for what each project actually needs: sometimes it’s just me, sometimes it’s a full crew working in sync.

Behind the scenes, I also work with an editing team around the world, which means I can take on a wide range of projects, different formats, different timelines, different scales, without sacrificing quality or turnaround.

No matter the size of the production, every project is personally directed, creatively led, and quality-controlled by me. That’s the part that doesn’t change: you’re working directly with me, backed by a system built to handle whatever the project calls for.

Two ways to work with me. Every project runs through me. I take the call, set the direction, and stay in it from the first conversation to the final file. What changes between the two is who is holding the camera and who is at the edit.

I shoot it myself. I am on the shoot day, behind the camera, making the calls in the room. There are only so many of these in a year, because being in the room is the one part that cannot be in two places at once.

My crew shoots it. I direct it. You still talk to me. The direction is still mine. I brief the shooters. They come from an extended network I have built up over the years, locally and around the world. The edit comes back through me before it reaches you.

Not sure which one you need? Tell me the budget in the first message and I will tell you straight.