Two people, and whatever's real between them. I don't over-direct these — the best frames usually happen in the quiet between the poses, when everyone forgets the camera's there. Engagements, anniversaries, or just because. South Florida and wherever the light is good.




I would rather set up a situation — walk there, talk about something, ignore me — and photograph what actually happens between them. What I am watching for is contact and attention. A hand that moves without being asked, the half-second where one of them looks and the other has not noticed yet.


So does being told where to put your hands.





Those frames carry the relationship. A perfectly composed portrait where both people are looking at the camera carries almost nothing.












I do not over-direct these. Posing two people into a shape gives you a photograph of a pose, and you can feel the stiffness in it years later.


The best light for this is soft and directional and late, when nobody has to squint and skin holds warmth. Comfort shows in a photograph.

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Pick a place with something to do in it
Pick a location that gives you something to do. A walk, a bar you actually go to, a stretch of beach you would have ended up on anyway. Somewhere with a task in it beats somewhere scenic, because scenery leaves two people standing in front of it with nothing to do but hold hands and look pleasant.
And if one of you is only here because the other one booked it, say so early. I would rather know than work it out off someone's face. It usually loosens anyway. The warm-up frames are part of it, for everyone, including the people who swore they would be fine.
Affection is the easy part
Photographing well together is not a quality some couples have and others lack. That is not the variable. The frames that hold up are the ones only these two could have produced — the particular way one checks the other is still keeping up, a joke with no setup that lands anyway.
The instinct is to show affection. Hold each other, look happy, prove it. Affection is the easy part, and it is not the thing a viewer reads. Attention is. Where the eyes go when the other one is talking. Who tracks who across a room. It holds up even in a frame where nobody is touching.
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